Bharatanatyam Mudras Pdf

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Apr 28, 2016 Bharathanatyam-Introduction & Mudras Samridhi. Unsubscribe from Samridhi? Learn Bharatanatyam Basic Steps 1st Thath thei thaam Adavu - Duration: 1:07.
CHAPTER IV RELATIONSHIP BETWEEN BHARATANATYAM AND ICONOGRAPHY 4.1 Introduction India is a country of numerous arts and diverse cultures. There are sixty–four arts in general which touch the life and activities of every human in someway or the other. These sixty–four arts are classified into different heads such as the useful arts, the.
Mudras are expressive hand gestures that form an intrinsic part of Indian Classical Dance, Yoga and visual arts. Mudras are believed to channelize natural forces and aid spiritual and mental well being by enhancing the flow of energies through the body.

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In Bharatanatyam, the Classical Dance of India, approximately fifty-five root mudras (hand/finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which thirty-two require only one hand, and are classified as `Asamyukta Hasta', along with twenty-three other primary mudras which require. Asamyukta hastas are done using single hand. The Natyshastra mentions about 28 Mudras ie upto Trishula Mudra. There are four new mudra added to this list ie Kataka, Vyagraha, Ardhasuchi and Palli. These Hand Gestures are a Part of Angika Abhinaya. I shall be explaining each of these Mudras with reference to the shlokas of. Mudras are also used in Indian Classical Dance. There are over 200 mudras in bharatanatyam and over 250 in mohiniattam. Method: Touch the tip of the thumb to the tip of the index finger, with the other three fingers stretched out. Specialty: As it is a mudra of knowledge, it enhances the knowledge.

One of the most striking features of Indian classical dance is the use of hand gestures. Speaking in dance via gestures, rather than orally, in order to visually convey outer events or things, as well as inner feelings, two classifications of specific traditional mudras (hand/finger gesture) are used in Indian Classical Dance, and indeed are a prominent part of the dancer's vocabulary.

2Indian dance
- 2.1Bharatanatyam

Background[edit]

The Abhinaya Darpa (a descriptive primer for dancers) mentions that the dancer should sing the song by the throat, express the meaning of the song through hand gestures, show the state of feelings in the song by eyes, and express the rhythm with his or her feet.

From the Natya Shastra, a text on the arts, this beautiful quotation and translation is often quoted by Indian classical dance instructors:

'Yato hastastato drishtihi'..'Where the hand is, the eyes follow'

'Yato drishtistato manaha'..'Where the eyes go, the mind follows'

'Yato manastato bhavaha'..'Where the mind is, there is the feeling'

'Yato bhavastato rasaha'..'Where there is feeling, there is mood/flavour, sweetness (i.e., appreciation of art; aesthetic bliss)'

So vast are the subtleties expressed in the hand gestures of hasta that the vastness of what being human entails, and perhaps even what the entire universe contains, might be expressed by the dancer.